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TürkçeZeenat Aman
Biography
Germany
Zeenat Aman was born to a Hindu mother and a Muslim father Amanullah who was one of the writers for the classic "Mughal-e-Azam", on November 19th, 1951. Zeenat was an only child and her parents divorced when she was a little girl. A graduate of Saint Xavier's school in Bombay. Her father passed away when she was 13. Zeenat won a scholarship to study in California. Upon her return she started working as reporter and was introduced to modeling by friends. Her most prominent ad campaign was the Pond's 7 day to better complexion. Read more... the third runner up, to go to Miss Asia/Pacific a title she later won - being the first Indian to ever win that title (the same title was brought to Indian a second time in 2000 by Diya Mirza).
Zeenat was introduced to the movie screen by O.P. Ralhan in Hulchul with Kabir Bedi and later repeated by again by Ralhan in a cameo in Hungama. Both films sunk without trace. Zeenat was the third choice for the junkie 'Janice/Jasbeel' character in Dev Anand's 'Hare Rama Hare Krishna',(1971) opposite himself and the then reigning queen Mumtaz. Upon completion of shooting, Zeenat began packing bags to move to Malta with her mother and German step father (Mr. Heinz) for his job posting. When Dev Anand received feedback on rushes for the film, he insisted that Zeenat and her parents hold off on the move until the film is released and its fate decided, with reluctance they agreed. The film was an instant hit and Zeenat walked away with all the accolades shunning Mumtaz - never before had the Hindi cinema seen a newcomer overshadow the reigning queen. She won the Filmfare Award as Best Supporting Actress. For the first time, the Indian audience accepted a woman who played a 'less than pure' role in a movie.
Zeenat went on to revolutionize the Hindi film actress. She was the first Indian actress who refused bouffants, cropped a bob at the height of her career and hardly appeared in saris and bindis and could easily carry off a bikini dress without looking vulgar. She took on roles of the modern urban Indian woman, who made no excuses and took no prisoners. Her characters contemplated abortion to pursue a career (Ajnabee (1974) or dumping a poor lover to pursue a rich man (Roti Kapada Aur Makaan (1974), and still manage to win audience's approval. She pursued Vijay Arora by strumming her guitar singing "Churaliya hai" in the Nasir Hussain's hit film "Yaadon Ki Barat" (1973), fought alongside Amitabh Bachchan as a revenge-seeking action heroine in "Don" (1978). Even though Raj Kapoor's "Satyam Shivam Sundaram" (1977) didn't do well, Zeenat was able to break barriers by kissing her leading man on the mouth for the first time on the Indian screen post-Independence and receiving a Best Actress Filmfare nomination. She received another Filmfare nomination as Best Actress for the controversial hit film "Insaaf Ka Tarazu" (1980) where she played a justice-seeking rape survivor. Dev Anand promoted Zeenat in 70's by signing 7 films with her of which 4 were blockbusters.Rajesh Khanna-Zeenat Aman were paired opposite each-other in 4 films in 1974-84 period and 3 were blockbusters. and Shashi Kapoor-Zeenat gave 7 super-hit films off the 10 they did together. Zeenat began a new trend, helping launch careers for male actors - something Indian actresses never did. She signed Insaf Ka Tarazu with then unknown Raj Babbar and Deepak Prashar, signed films opposite even Mithun, Kanwaljeet Singh (Ashanti) and Tariq Ali (Hum Kissi se Kum Nahin and Yadon Ki Baarat). She had a tumultuous first marriage to Sanjay Khan which ended in divorce. Zeenat had a long string of super successes throughout her career but towards the end of her career she took on mature roles in Bhavani Junction, Haathon ki Lakeerain, Bandhan Kacche Dhagon Ka etc. the movies did average business at the box office as by late 80's cinema shifted its focus to front bench whistlers. At that time Zeenat settled in matrimony with fellow actor Mazhar Khan and gave birth to two sons, turning down multiple film offers. The marriage ended bitterly in divorce, but soon after Mazhar died, and Zeenat's feelings about him in the press were much kinder. Zeenat's contribution to the Indian cinema is definitely recognized though not fully as yet, but in time to come she will definitely be remembered as the first person to introduce a lot to India and add several dimensions to Indian women. In summary "She revolutionized the portrayal of Indian Women" in its cinema.
Zeenat was introduced to the movie screen by O.P. Ralhan in Hulchul with Kabir Bedi and later repeated by again by Ralhan in a cameo in Hungama. Both films sunk without trace. Zeenat was the third choice for the junkie 'Janice/Jasbeel' character in Dev Anand's 'Hare Rama Hare Krishna',(1971) opposite himself and the then reigning queen Mumtaz. Upon completion of shooting, Zeenat began packing bags to move to Malta with her mother and German step father (Mr. Heinz) for his job posting. When Dev Anand received feedback on rushes for the film, he insisted that Zeenat and her parents hold off on the move until the film is released and its fate decided, with reluctance they agreed. The film was an instant hit and Zeenat walked away with all the accolades shunning Mumtaz - never before had the Hindi cinema seen a newcomer overshadow the reigning queen. She won the Filmfare Award as Best Supporting Actress. For the first time, the Indian audience accepted a woman who played a 'less than pure' role in a movie.
Zeenat went on to revolutionize the Hindi film actress. She was the first Indian actress who refused bouffants, cropped a bob at the height of her career and hardly appeared in saris and bindis and could easily carry off a bikini dress without looking vulgar. She took on roles of the modern urban Indian woman, who made no excuses and took no prisoners. Her characters contemplated abortion to pursue a career (Ajnabee (1974) or dumping a poor lover to pursue a rich man (Roti Kapada Aur Makaan (1974), and still manage to win audience's approval. She pursued Vijay Arora by strumming her guitar singing "Churaliya hai" in the Nasir Hussain's hit film "Yaadon Ki Barat" (1973), fought alongside Amitabh Bachchan as a revenge-seeking action heroine in "Don" (1978). Even though Raj Kapoor's "Satyam Shivam Sundaram" (1977) didn't do well, Zeenat was able to break barriers by kissing her leading man on the mouth for the first time on the Indian screen post-Independence and receiving a Best Actress Filmfare nomination. She received another Filmfare nomination as Best Actress for the controversial hit film "Insaaf Ka Tarazu" (1980) where she played a justice-seeking rape survivor. Dev Anand promoted Zeenat in 70's by signing 7 films with her of which 4 were blockbusters.Rajesh Khanna-Zeenat Aman were paired opposite each-other in 4 films in 1974-84 period and 3 were blockbusters. and Shashi Kapoor-Zeenat gave 7 super-hit films off the 10 they did together. Zeenat began a new trend, helping launch careers for male actors - something Indian actresses never did. She signed Insaf Ka Tarazu with then unknown Raj Babbar and Deepak Prashar, signed films opposite even Mithun, Kanwaljeet Singh (Ashanti) and Tariq Ali (Hum Kissi se Kum Nahin and Yadon Ki Baarat). She had a tumultuous first marriage to Sanjay Khan which ended in divorce. Zeenat had a long string of super successes throughout her career but towards the end of her career she took on mature roles in Bhavani Junction, Haathon ki Lakeerain, Bandhan Kacche Dhagon Ka etc. the movies did average business at the box office as by late 80's cinema shifted its focus to front bench whistlers. At that time Zeenat settled in matrimony with fellow actor Mazhar Khan and gave birth to two sons, turning down multiple film offers. The marriage ended bitterly in divorce, but soon after Mazhar died, and Zeenat's feelings about him in the press were much kinder. Zeenat's contribution to the Indian cinema is definitely recognized though not fully as yet, but in time to come she will definitely be remembered as the first person to introduce a lot to India and add several dimensions to Indian women. In summary "She revolutionized the portrayal of Indian Women" in its cinema.
Actor
Character:
Sunita
Yaadon Ki Baaraat 1973
5
Character:
Rani Ranjit Singh
Dhund 1973
1
Character:
Panna
Heera Panna 1973
5
Character:
Sheetal
Roti Kapada Aur Makaan 1974
7
Character:
Nisha
Manoranjan 1974
4
Character:
Reshmi R. Saxena
Ajanabee 1974
4
Character:
Sunita
Hum Kisise Kum Naheen 1977
6
Character:
Rita Verma
Chhailla Babu 1977
6
Character:
Lisa / Radha G. Sapru / Tina
Kalabaaz 1977
3
Character:
Bharti Saxena
Insaf Ka Tarazu 1980
4
Character:
Sheela
Qurbani 1980
3
Character:
Madhu
Ram Balram 1980
17
Character:
Sheetal Sahni
Dostana 1980
5
Character:
Radha
Bombay 405 Miles 1980
5
Character:
Neera Kumar Sahni
Krodhi 1981
4
Character:
Mohini
Laawaris 1981
7
Character:
Roma
Strings of Passion 2014
0
Character:
Herself
Zee Cine Awards 2012 2012
0
Character:
Zeenat
Geeta in Paradise 2009
0
Character:
Sandhiya
Ugly Aur Pagli 2008
14
Character:
Mary Disa in Special Appearance
Jaana... Let's Fall in Love 2006
1
Character:
Alice Rodriguez De Fonseca
Boom 2003
15
Character:
Zohrabai
Bhopal Express 1999
0
Character:
Zarina
Sohni Mahiwal 1984
7
Character:
Seema
Jagir 1984
6
Character:
Sumati
Yeh Desh 1984
5
Character:
Woman
Chaurahen 2007
0
Character:
Durga Putri
Sirf Romance: Love by Chance 2007
0
Character:
Herself
Bollywood Queens Vol. 2 2006
0
Character:
Rupa
Satyam Shivam Sundaram: Love Sublime 1978
9
Character:
Herself
Gol Maal 1979
0
Character:
Herself
Cinema Cinema 1979
0
Character:
Adult Rajni
Balika Badhu 1976
5
Character:
Jasbir Jaiswal / Janice
Haré Raama Haré Krishna 1971
6
Character:
Meena / Maina
Chor Ke Ghar Chor 1978
4
Character:
Sharmili
Chori Mera Kaam 1975
4
